Water Painting, Household paint on aluminium panel, 1999, Gary Hume
Thinking about a forthcoming rare (and, as yet, unclaimed) opportunity to see the work of one of my favourite artists - the inimitably base and unpretentiously, unashamedly subversive Egon Schiele - at the Royal Academy’s Treasures of Budapest exhibition has ignited an uncommon display of post-weekend, mid-hangover synapse firing and recalled the memory of this referential painting by Gary Hume, an artist whose mid-90s heyday and reductive, liquid works have nothing in common with the tenderly raw, expressively sexual portraits Schiele is famed for.

Water Painting, Household paint on aluminium panel, 1999, Gary Hume

Thinking about a forthcoming rare (and, as yet, unclaimed) opportunity to see the work of one of my favourite artists - the inimitably base and unpretentiously, unashamedly subversive Egon Schiele - at the Royal Academy’s Treasures of Budapest exhibition has ignited an uncommon display of post-weekend, mid-hangover synapse firing and recalled the memory of this referential painting by Gary Hume, an artist whose mid-90s heyday and reductive, liquid works have nothing in common with the tenderly raw, expressively sexual portraits Schiele is famed for.

1 year ago
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